Disco was also created by DJs in its initial phase, though these tended to be club jocks rather than mobile party jocks – records by Barry White, Eddie Kendricks and others became dancefloor hits in New York clubs like Tamberlane and Sanctuary and were crossed over onto radio by Frankie Crocker at station WBLS. Musicologist David Toop, based on interviews with DJ Grandmaster Flash, Kool DJ Herc, and others, has written: īreak-beat music and hip-hop culture were happening at the same time as the emergence of disco (in 1974 known as party music). The next thing you know the singer comes back in and you'd be mad. It might be that certain part of the record that everybody waits for-they just let their inner self go and get wild. Now he took the music of like Mandrill, like "Fencewalk", certain disco records that had funky percussion breaks like the Incredible Bongo Band when they came out with "Apache" and he just kept that beat going. Old-school hip-hop DJs have described the relationship between breaks, early hip-hop music, and disco. In hip hop music and electronica, a short break is also known as a "cut", and the reintroduction of the full bass line and drums is known as a " drop", which is sometimes accented by cutting off everything, even the percussion right before the full music is dropped back in. The distinction between breaks and breakdowns may be described as, "Breaks are for the drummer breakdowns are for electronic producers". This is distinguished from a breakdown, a section where the composition is deliberately deconstructed to minimal elements (usually the percussion or rhythm section with the vocal re-introduced over the minimal backing), all other parts having been gradually or suddenly cut out. In DJ parlance, in disco, hip hop and electronic dance music, a break is where all the elements of a song (e.g., synth pads, basslines, vocals), except for percussion, disappear as such, the break is also called a "percussion break". While the solo break is a break for the rhythm section, for the soloist, it is a solo cadenza, where they are expected to improvise an interesting and engaging melodic line. A notable recorded example is sax player Charlie Parker's solo break at the beginning of his solo on " A Night in Tunisia". A solo break in jazz occurs when the rhythm section (piano, bass, drums) stops playing behind a soloist for a brief period, usually two or four bars leading into the soloist's first improvised solo chorus (at which point the rhythm section resumes playing).
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